BLAKE BUTLER 300,000,000 PREVIEW ADVANCE REVIEW

Featherstonehaugh: I’LL SAY FIRST OFF THAT THE ADVANCE READER’S COPY CAME IN A BOX FILLED WITH WHAT I THINK IS HUMAN HAIR

Cholmondeley: BOLD CHOICES AND VERTICAL ARTISTIC INTEGRATION BY HARPER PERENNIAL. YOU GET A SENSE OF THIS BOOK BEFORE YOUR FINGERS HAVE EVEN PENETRATED IT.

Featherstonehaugh: FAIR PLAY TO BLAKE BUTLER AND HIS GOOD BUDDY CALVERT MORGAN FOR MARKETING THIS THING TO THE UTMOST AND IN THE AVANT-GARDIEST WAY POSSIBLE.

Cholmondeley: I THOUGHT THAT BALKE’S PROMISE TO EAT A BABY EVERY DAY FOR EVERY DAY THE BOOK REMAINS IN AMAZON’S TOP SELLERS LIST WAS A LITTLE OVER THE TOP BUT MAYBE THAT’S ME BEING SQUEAMISH AND OVERLY PRO-BABY.

Featherstonehaugh: IT SEEMED IN CHARACTER FOR HIM THOUGH IN ALL TRUTH YOU CAN’T SAY YOU DIDN’T SEE IT COMING.

Cholmondeley: SHOULD WE TALK ABOUT THE BOOK. SHOULD WE TALK ABOUT WHAT WE TALK ABOUT WHEN WE TALK ABOUT 300,000,000. CARVER REFERENCE DID YOU NOTICE I MADE IT PERHAPS TOO EXPLICIT.

Featherstonehaugh: CARVER HAS NO PLACE HERE FRIEND. WE’RE TALKING BUTLER BOLANO COOPER DELEUZE GUATTARI KORESH AND THE EVERLASTING PROMISE OF THE SOUND ENGINE THAT IS SILENT PROSE PRINTED SILENTLY ON THE PAGE AND READ SILENTLY BY MOST IF NOT ALL HUMANS.

Cholmondeley: WE’LL COME TO THE SOUNDSPORTS AT PLAY IN THIS BOOK LATER BUT FOR NOW LET’S FOCUS ON THE REPUDIATION SOME MIGHT SAY ANNIHILATION ? OF BOLANO BY THIS BOOK. BALKE HAS GONE ON RECORD IN MULTIPLE BLOG POSTS AND IN CONCATENATED INFINITIES OF COMMENT CHAINS THAT BOLANO IS A TALENTLESS ARTISAN WHO WRITES BLOCKS OF WORD-OFFAL THAT NOT ONLY BORE BUTLER TO SLEEP WHICH IS REMARKABLE SINCE BUTLER WROTE SEVEN BOOKS ABOUT HOW HE ONLY SLEEPS ONE HEAVILY MEDICATED HOUR PER WEEK BUT BOLANO’S WRITING ALSO MAKES HIM WANT TO SET HIMSELF ON FIRE LIKE THE MONK AND THEN COME BACK TO LIFE AS A GHOST ARSONIST SO HE CAN SET HIS OWN ASHES ON FIRE AGAIN. WHICH IS A STRONGLY NEGATIVE REVIEW OF BOLANO WHO WE SHOULD SAY IS DEAD AND CANNOT DEFEND HIMSELF.

Featherstonehaugh: 300,000,000 OBLITERATES BOLANO SO IT’S PROBABLY FOR THE BEST THAT HE’S DEAD BECAUSE I CAN IMAGINE HIM GETTING THIS ADVANCE READER’S COPY AND BEING LIKE IN SPANISH WELL THIS AMERICAN JUST OWNED ME AT MY OWN GAME SO HANDILY AND WITH SUCH BRUTALLY FUCKED LANGUAGE THAT I MIGHT AS WELL FORFEIT MY LIFE BECAUSE BALKE HAS TRIUMPHED OVER ME LIKE BARCELONA OVER LOWLY OSASUNA 12,000 GOALS TO NIL AND IT’S NOT EVEN HALFTIME YET AND THE COACH IS SWEATING BLOOD AND AT LEAST 80% OF THE OSASUNA FANS HAVE COMMITTED SUICIDE WITH THEIR PROGRAMS BY PAPER- CUTTING THEIR WRISTS TO THE BONE, FUCK. BOLANO WOULD THEN ASSUREDLY SIGN OVER HIS LIFETIME ROYALTIES TO BUTLER IN A SORT OF WEAK MOVE TO APPEASE BUTLER AND EXPIATE HIMSELF FROM THE SHITTINESS OF HIS OWN WORK AS IF TO SAY FORGIVE ME WORLD. 

Cholmondeley: AND THE WORLD WOULD NOT FORGIVE HIM.

Featherstonehaugh: NO WAY.

Cholmondeley: SO NOW THAT WE’VE SET THINGS UP SO TO SPEAK WHAT WERE YOUR FAVORITE PARTS OF THE BOOK

Featherstonehaugh: I LIKED ALL THE MEAT HAMMERS IN THE BOOK. IN FACT ALL THE MEAT TOOLS AND BALLOONS WERE REALLY COOL AND FUNNY. AND THE 100 PAGES IN THE MIDDLE OF THE BOOK WITH A SINGLE WORD EACH WERE ALSO A FAVORITE. AND THE SEEMINGLY BUT NOT REALLY RANDOM REFERENCES TO DAVID FOSTER WALLACE EVEN IN PASSAGES THAT WERE SUPERFICIALLY CONCERNED WITH THE GELATINIZATION OF MUTANT BABY’S BONES YOU KNOW THE SCENE I’M TALKING ABOUT.

Cholmondeley: OH MAN THAT KILLED ME SO ROMANTIC TOO. IF THERE’S ONE THING BALKE IS REALLY GOOD AT IT’S BLOWING MY MIND AND MY MIND’S INNER EAR WITH SWEET NOTHINGS ABOUT DISSOLVING BONES AND EVIL MOTHERS WISTFULLY JERKING OFF THEIR DOWGS WHO QUOTE FROM DFW’S COMMENCEMENT SPEECH WHEN THEY CLIMAX LIKE THIS IS WATER BABE FEEL IT. I CRIED.

Featherstonehaugh: ME TOO. AND THE POETRY OF IT ALL.

Cholmondeley: DON’T EVEN GET ME STARTED.

Featherstonehaugh: DO YOU THINK THIS BOOK IS LIKE IF TUPAC AND BIGGIE SPENT 1000 YEARS TOGETHER FREESTYLING ON THE SUBJECTS OF VIOLENCE DEATH MEAT MOTHERS FATHERS KIDS BLOOD SLEEPING DREAMS CULTS RELIGION GOD AND MURDER AND THEN TRANSCRIBED THOSE FREESTYLES INTO PROSE WITH APPROPRIATELY DEVASTATING LINE BREAKS AND THEN WERE MADE TO LEARN ABOUT THE RHIZOME

Cholmondeley: THAT WAS MY FIRST THOUGHT BUT THEN WHEN I GOT DEEPER INTO THE SOUNDSCAPE OF THE SENTENCES I DECIDED THAT YOU CANNOT UNDERSTAND THIS BOOK WITHOUT UNDERSTANDING ITS MUSIC AND THE UNDERHUM OF SONG FOUND THROUGHOUT EVEN THE PUNCTUATION VIBRATES IN MY HEAD EACH PERIOD HIT LIKE A GONG EACH COMMA’S TAIL LIKE A VIOLIN’S FILIGREED VIBRATO

Featherstonehaugh: EXPLAIN BECAUSE I THOUGHT MY THING ABOUT BIGGIE AND TUPAC WAS ON THE MONEY AND ALMOST LIKE A BLURB’S DREAM OF A BLURB. 

Cholmondeley: WELL CAN I BREAK IT DOWN FOR YOU LIKE THIS ALMOST EVERYONE’S PROSE HAS NO MUSIC TO IT OR IF THERE IS MUSIC IT’S LIKE THE MUSIC MADE BY A HARMONICALLY UNINTERESTING REFRIGERATOR I.E. FLAT COLD AND DRONING.

Featherstonehaugh: I’M WITH YOU I THINK

Cholmondeley: THE MUSIC OF BALKE’S PROSE IS BOTH PROFOUND AND UNSETTLING AND IF YOU WERE TO TRANSCRIBE THE NOTES THAT HE HITS AND THE RHYTHM OF THESE PARAGRAPHS YOU WOULD FIND YOURSELF SHAKEN AND TIRED BUT HOLDING THE SCORE TO THE LONGEST ANGELO BADALAMENTI SYMPHONY EVER PRODUCED IF ANGELO WERE ALSO IN POSSESSION OF GOD’S COURAGE AND KNOWLEDGE.

Featherstonehaugh: WHEW.

Cholmondeley: I MEAN LIKE WE SAID BEFORE MOST PEOPLE ARE DUMB ANIMALS WHO READ BOOKS BECAUSE THEY WANT STORIES THAT SHOW THEM A DIFFERENT WAY OF LIFE OR GIVE THEM AN INTERESTING NARRATIVE OR SOME KIND OF CATHARSIS BUT THOSE PEOPLE ALSO READ FICTION WITHOUT BEING ATTUNED TO THE NATURAL SOUND-EMITTING PROPERTIES OF PRINTED WORDS 

Featherstonehaugh: WHICH I THINK WE CAN AGREE IS SOMETHING A PROPER OR TRUE READER MUST BE AWARE OF OR THEY’RE MISSING THE WHOLE POINT OF FICTION. JUST LIKE IF YOU DIDN’T PAY ATTENTION TO THE COLORS MADE BY CERTAIN WINDS OR THE SMELLS INHERENT IN SOME MUSIC. IT’S LIKE GET OUT OF THE KITCHEN IF YOU CAN’T TAKE THE HEAT OR UNDERSTAND ITS SWEET KEENING SONG AND VELVETY TEXTURE.

Cholmondeley: RIGHT. I GO TO FICTION IN GENERAL FOR THE SOUND OF IT ALL SO WHAT I’M SAYING IS DON’T COME AT ME WITH YOUR HALF-ASSED LULLABIES JONATHAN FRANZEN AND DON’T COME AT ME WITH YOUR RHYTHMICALLY IGNORANT JINGLES ZADIE SMITH AND DON’T COME AT ME WITH YOUR CLOYING AUDIOCIDES BEN LERNER POET TURNED NOVELIST IMPOSTER!

Featherstonehaugh: OKAY CALM DOWN WE’RE BOTH PASSIONATE ABOUT THIS 

Cholmondeley: WHAT BALKE DOES IS RECOGNIZE THE SONG IN EVERY SYLLABLE AND ARRANGE THOSE SONGS INTO WORDS AND THOSE WORDS INTO DELICATELY BALANCED AND MELLIFLUOUS OR CACOPHONOUS SENTENCES BY DESIGN ALWAYS AND THOSE SENTENCES INTO BOOKS. MOST AUTHORS IGNORE THE 100% PATENT ADVANTAGE THAT PROSE HOLDS OVER OTHER MEDIA LIKE TELEVISION AND FILM AND THAT IS THAT THE INNER VOICE OF EVERY READER SCREAM-SINGS EACH WORD IN THE READER’S HEAD AS IT READS AND WHAT YOU WANT PLAYING UP THERE IS AN INDELIBLE AND EMOTIONALLY COMPLEX MUSIC. THAT IS WHAT STAYS WITH READERS THE ECHO OF THE INNER SONG OF A BOOK. NOT THE CHARACTERS OR THE THEMES OR THE MEANING OR THE DESCRIPTIONS OR THE EMOTIONS OR THE PLOT. I CAN STILL HUM THE ENTIRETY OF DENNIS COOPER’S MARBLED SWARM AND I HAVE GOTTEN LAID THREE TIMES BECAUSE OF THAT.

Featherstonehaugh: BRAGGING. THOUGH I SEE WHAT YOU MEAN. IT’S LIKE BALKE IS THE TOM HULCE MOZART IN AMADEUS AND BOLANO IS THE F. MURRAY ABRAHAM SALIERI AND BUTLER’S MOZART SHOWS UP TO SON BOLANO’S SALIERI INTO THE GRAVE BECAUSE HE GRASPS AND MANIPULATES AND GUIDES THE NATURAL MUSIC OF PROSE TO ITS APOTHEOSIS WHEREAS BOLANO FIDDLES WITH PROSE LIKE A FOURTEEN YEAR-OLD TRYING TO JERK OFF IN A HALLWAY CLOSET AND MERELY INDUCING A BLOOD BLISTER ON THE SHAFT OF HIS VERY SMALL PENIS.

Cholmondeley: THIS BRINGS UP A GOOD QUESTION WHO WILL STAR IN THE MOVIE OF 300,000,000?

Featherstonehaugh: THERE CAN’T BE A MOVIE. HAVEN’T YOU PAID ATTENTION TO ANYTHING WE’VE SAID. IT’S ALREADY A MUSICAL. VISUAL IMAGES WOULD ONLY TAINT BUTLER’S WORLDCRAFT. 300,000,000 IS A MOVIE, AN ALBUM, A PAINTING, A SONG, A POEM, A NOVEL, AND A LANDSCAPE. DON’T GET GREEDY.

Cholmondeley: THANK YOU.

RICHARD YATES TAO LIN MDMA FILMS MUUMUUHOUSE REVIEW

RICHARD YATES

Featherstonehaugh: AN EDUCATIONAL PAMPHLET APPARENTLY

Cholmondeley: ON WHAT WAS IT—ORGANIC FOOD SHOPPING

Featherstonehaugh: WRONG THAT WAS NOT IT AT ALL. YOU KNOW BETTER.

Cholmondeley: ON STALKING VULNERABLE YOUNG WOMEN?

Featherstonehaugh: THROUGH INTERNET CHAT

Cholmondeley: AND ESTABLISHING A TIGHT PSYCHOLOGICAL GRIP ON THOSE YOU PLAN OR HOPE TO STATUATORILY RAPE CORRECT?

Featherstonehaugh: ON THE NOSE FRIEND

Cholmondeley: I SUPPOSE IF I WERE INTO PUBESCENT GIRLS I WOULD TAKE THIS BOOK AS BOON INTO MY LIFE

Featherstonehaugh: INTO YOUR BOSOM YOU MEAN

Cholmondeley: NO I WOULD USE IT TO GAIN ACCESS TO CERTAIN PUBESCENT GIRLS’ BOSOMS

Featherstonehaugh: PRACTICAL APPLICATION AND SO FORTH

Cholmondeley: I’M NOT INTO THEORY THOUGH I UNDERSTAND THAT IS A BIG PART OF THE BOOK’S APPEAL HADN’T YOU HEARD?

Featherstonehaugh: SOME BREATHLESS REVIEWS BY THE AUTHOR’S SCHOOLCHUMS AND ACOLYTES SUGGESTED THIS WAS A NEW ASSUALT IN THE WAR ON REALISM STORY NOVELS, FICTION ITSELF, LIFE ITSELF, LOVE MASQUERADING AS LUST ITSELF, EMOTION, HUMAN CONCEPTIONS OF GOD AND BUDDHA HIMSELF, AND LUST MASQUERADING AS A LUST FOR LIFE ITSELF. ALSO A GUIDE TO THE THOUGHTS AND FEELINGS AND PREDATORY SEXUAL HABITS OF TWENTYSOMETHINGS IN NEW YORK CITY

Cholmondeley: THIS IS SOME REAL SHIT SO TO SPEAK MAYBE THE REALEST

Featherstonehaugh: I AGREE IT IS REAL TO THE MAX ALMOST TOO REAL TO BEAR

Cholmondeley: LETS GET AWAY FROM THE DEAD-ENDEDNESS OF THIS INQUIRY AND TALK ABOUT THE PROSE STYLE

Featherstonehaugh: IT FELT LIKE I WAS SPYING ON MY FRIENDS

Cholmondeley: WHAT FRIENDS SPECIFICALLY I WANT DETAILS SINCE YOU AND I KNOW ALL THE SAME PEOPLE

Featherstonehaugh: FRIENDS WHO ARE EXCITED BY THE POSSIBILITIES OF TECHNOLOGY AND WHO LIKE THE SOUND OF THE WORD BROWSER AND LIKE TO THINK OR PHILOSOPHIZE WITH THE HELP OF DRUGS ABOUT THE INTERNET AND SOCIAL CURRENCY GENERATED BY HITS AND MENTIONS AND HOW TO USE THAT SOCIAL CURRENCY MOST JUDICIOUSLY

Cholmondeley: TO GET MONEY AND GENITAL ENCOUNTERS CORRECT

Featherstonehaugh: SO YOU DO KNOW WHO I’M TALKING ABOUT

Cholmondeley: OH YES THESE ARE ALSO THE PEOPLE WHO MAYBE BECOME AROUSED AT THEIR OWN FACILITY WITH TABS AND BROWSING AND WHO DRIFT INTO FUGUES OF PROPHECY AND AGGRANDIZEMENT DUE TO THE PNEUMA WAFTING FROM THEIR OVERHEATED CPUs

Featherstonehaugh: SOMETHING LIKE THAT

Cholmondeley: DID YOU GET THE FEELING THAT THIS BOOK WAS MADE BY A BRAVE PERSON MAKING BRAVE CHOICES TOO

Featherstonehaugh: I WAS FRIGHTENED THROUGHOUT THAT THIS WAS THE NOVELIZATION OF AN EPISODE OF TO CATCH A PREDATOR AND THE BOOK WOULD END WITH THE NARRATOR AUTHOR’S ARREST AND INCARCERATION AND INEVITABLE SODOMIZATION SO YES IT WAS COURAGE I SAW IN THE MARGINS

Cholmondeley: OH ME TOO ME TOO. I USUALLY THINK WHEN SOMEONE SAYS A WRITER IS BRAVE THAT THEY MEAN THE BOOK IS SO EMBARRASSING THAT THE WRITER IS BRAVE FOR EVEN SHOWING IT TO OTHER HUMANS

Featherstonehaugh: BUT NOT WITH THIS WORK AM I RIGHT

Cholmondeley: SO RIGHT. THIS BOOK IS BRAVE LIKE OVID’S METAMORPHOSES. I BET SOME DUDES ON THE FRONT LINE IN AFGHANISTAN, WAIT, I MEAN SOME DUDES ON BOTH FRONT LINES THE AFGHANI AND THE AMERICAN SIDES READ THIS BOOK AND WERE LIKE FUCK MAN I’M GLAD I’M NOT THAT GUY BATTLING THE MOM WHO DOESN’T WANT HER DAUGHTER’S BARELY FORMED VAGINA PUNCTURED BY ME, THE BRAVE GUY.

Featherstonehaugh: I LIKE YOUR OVID COMPARISON BECAUSE THERE’S A LOT OF FEAR AND DITHERING OVER NONCONSENSUAL INTERCOURSE IN THE METAMORPHOSES JUST LIKE IN THIS BOOK

Cholmondeley: ONE MIGHT SAY TAO LIN IS THE NEW OVID AND THIS IS HIS METAMETAMORPHOSES

Featherstonehaugh: DON’T GET CARRIED AWAY THERE

Cholmondeley: ONE MIGHT SAY TAO LIN IS THE NEW SHAKESPEARE AND THIS IS THE NEW ROMEO AND JULIET

Featherstonehaugh: OR TAO LIN IS THE NEW RAY CARVER FOR THE NEW ME GENERATION AND NEW KMART REALISM

Cholmondeley: I THOUGHT IT WAS GCHAT REALISM THAT’S THE GENRE I ALWAYS SEE ASSOCIATED WITH PAPA LIN

Featherstonehaugh: THE NEW LOLITA FOR THE HUMBLE HUMBLE CREEPERS OF THE WORLD BUT MORE EMOTIONAL AND MORE ELEGANT AND MORE NOW

Cholmondeley: I NEED MORE NOW IN MY LIFE AND MORE STARTLING INTERIORITY

Featherstonehaugh: THAT’S NOT THIS BOOK YOU’RE THINKING OF THE OTHER ONE

Cholmondeley: OH I NEED MORE NOW IN MY LIFE AND MORE NOISE COILED AT THE NOISE OF THE COIL’S POISE VIA THE LINTERNET

Featherstonehaugh: CLOSE ENOUGH AT LEAST YOU USED SOME CONSECUTION

VIDEO OF ZACHARY GERMAN WAVVES NEW BOOK REVIEW BY READ WHEN YOU FEEL RAD STAFF

ZACHARY GERMAN WAVVES ROBERT EAT WHEN YOU FEEL SAD REVIEW INTERROGATION

Eat When You Feel Sad


Gilders: SO THE DUDE FROM WAVVES RELEASED A BOOK I GUESS?


Pluck: IN BETWEEN ALBUMS


Gilders: IN BETWEEN BREAKDOWNS


Pluck: HIS PEN NAME IS ZACHARY GERMAN THAT SEEMS LIKE A WEIRD CHOICE FOR THE DUDE FROM WAVVES TO MAKE NAME-WISE


Gilders: BUT IT IS MORE OF A WRITER’S NAME


Pluck: TRULY LIKE I CAN SEE THAT NAME MORE CLEARLY STAMPED ON THE SIDE OF A HARDBACK THAN NATHAN WILLIAMS


Gilders: THERE ARE ALREADY TOO MANY NATHANS IN LITERATURE


Pluck: NOT ENOUGH ZACHS


Gilders: WHAT DID YOU THINK OF THIS BOOK? AND IS IT A BOOK FOR PEOPLE? OR A BOOK FOR ANIMALS OR ALIENS?


Pluck: NOT MUCH FUN TO READ


Gilders: ZERO FUN


Pluck: HAD TO DRAG MY EYES ACROSS THE WORDS


Gilders: LIKE DRAGGING A TODDLER THROUGH THE MALL


Pluck: VERY MUCH LIKE THAT WHERE MY EYES ARE THE TODDLER AND THE BOOK IS THE MALL


Gilders: DID YOU ALSO GET THE FEELING THAT THE AUTHOR HATED YOU THE READER? I DID


Pluck: I ALSO DID GET THAT FEELING. I PICTURED ZACAHRY GERMAN FROM WAVVES WRITING EACH WORD OF THIS BOOK AND GIVING THE MIDDLE FINGER TO ME THROUGH HIS MOLESKINE NOTEBOOK OR MOLESKINE LAPTOP


Gilders: BUT HE’S PRETTY YOUNG TOO I GUESS YOUNG PEOPLE HATE READERS ACCORDING TO YAHOO NEWS


Pluck: AND THE STRESS OF RECORDING AS WAVVES AND KEEPING UP WITH HIS DRUG INTAKE PROBABLY TOOK A TOLL AS WELL


Gilders: I THINK THE POINT WAS TO WRITE ABOUT EVERYDAY THINGS LIKE DRINKING FUCKING AND EATING AND INTERNET INVOLVEMENT IN THE MOST OBJECTIVE POSSIBLE STYLE RIGHT?


Pluck: THATS DEFINITELY WHY I READ BOOKS BECAUSE SOMETIMES MY REAL LIFE GETS TOO INTERESTING OR THE INTERNET GETS TOO INTENSE AND I LONG FOR A SIMPLER LIFE LIKE ZACHARY WAVVES LIFE WHICH IS MADE OF HARD FACTS


Gilders: IT SMACKED ME OF THIRD GRADE ENGLISH CLASS


Pluck:  SENTENCES?


Gilders: ENGLISH CLASS TAUGHT BY AN AUTIST OR A MONSTER MAYBE LIKE BEAKER FROM THE MUPPETS


Pluck: I THINK IT’S OUR DUTY TO BE MORE OBJECTIVE ABOUT AN OBJECTIVE BOOK THAT MIGHT BE JOURNALISM CALLED THE NEW NEW JOURNALISM?


Gilders: FROM THE FRONT LINES OF BROOKLYN WHERE LIFE IS YOUNG AND CRAZY


Pluck: FROM THE FRONT LINES OF ART I THINK YOU MEANT


Gilders: FROM THE FRONT LINES OF LONELINESS ISOLATION AND BOREDOM


Pluck: FROM THE FRONT LINES OF FINDING MEANING IN THE CITY WITHOUT MEANING


Gilders: FROM THE FRONT LINES OF PARSIMONY AND RESTRAINT


Pluck: FROM THE FRONT LINES OF ROBERTS IN THE WILD


Gilders: I ACTUALLY DO WANT TO KNOW MORE ABOUT ROBERTS GERMAN FROM WAVVES


Pluck: HES GOT A NEW ALBUM OUT RIGHT NOW ON TAO HOUSE RECORDS ITS ADVERTISED ON THE BACK OF THE BOOK


Gilders: THE BOOK IS PUBLISHED BY FSG PUBLISHING HOUSE THOUGH IS IT?


Pluck: NO I THINK ZACH WAVVES WITHDREW THE BOOK FROM FSG HOUSE BECAUSE HE WANTED IT TO FEEL MORE LIKE THE STREET LIKE A REPORT FROM THE HEART OF THE STREETS HEART


Gilders: FSG BOOKS ARE MORE LIKE REAL BOOKS FOR PEOPLE AND THIS BOOK BY WAVVES IS NOT FOR PEOPLE I THINK WE AGREED


Pluck: SOME ACTUAL HUMANS LIKE IT OR PROFESS TO LIKE IT I WOULD SAY IN TOUCHE


Gilders: THOSE HUMANS MUST BE INVOLVED IN A MARKETING EXPERIMENT CONCERNING PEOPLE BORN WITHOUT SYSTEMS OF PLEASURE


Pluck: NO REALLY THERE ARE ACTUAL HUMANS WHO COMMENTED THEIR SOULS TO THIS BOOK


Gilders: IS ZACHARY GERMAN THE HOLY GHOST OF THE LINTERNET?


Pluck: NO HE’S THE RUNOFF


Gilders: THE RUNOFF OF THE RUNOFF